Academy Museum of Motion Pictures to open with Hayao Miyazaki retrospective in 2021
Film Still, My Neighbor Totaro (1988), by Hayao Miyazaki © 1988 Studio Ghibli
Fans of the groundbreaking Japanese film-maker Hayao Miyazaki will be able to step into the animated worlds of My Neighbor Totoro and Howl's Moving Castle next year, when the Academy Museum of Motion Pictures opens in Los Angeles on 30 April 2021. Its inaugural special exhibition will be an immersive retrospective of the directors work that visitors will enter through tree-like installations that lead to galleries with drawings and production materials from his films, and a special room where viewers can lie back and watch an animated sky, like the central character in Kiki's Delivery Service.
“This is what film exhibitions should be, because this is what our medium is. It's like entertaining. It's immersive,” says the shows curator Jessica Niebel, who co-organised the retrospective with assistant curator J. Raul Guzman, in collaboration with Japan's Studio Ghibli, co-founded by Miyazaki in 1985. “Its super important for the visitor experience that everybody can learn something in this exhibition that is relevant and important to them. And I hope that this show will attract many different people from many different backgrounds of all ages. Basically everybody who likes movies should feel welcome in this exhibition and take something away from it.”
lmageboard, Castle in the Sky (1986), by Hayao Miyazaki © 1986 Studio Ghibli
The show will include materials from every production process, Niebel says, including what Studio Ghibli calls image boards. “These are basically concept drawings, both for character design, but also to create the settings and the locations,” she explains. “This is how Miyazaki starts process in his creative thinking, he says that he works with a lot of fragments that kind of slowly come together to form something more holistic.” There will also be storyboards, which Niebel says, are more important to Miyazaki than they might be for other film-makers, because he usually does not work with a script. “All the information that everybody on the crew needs is in the storyboards,” Niebel says. “He draws the storyboards himself and they already have the dialogue, camera and movement editing, timing, character movement, everything. So that's really essential.”
Many of these works have never left Japan before and because they are so fragile, and they will remain on display in Los Angeles for at least a year Niebel says, there is no plan to tour the exhibition. “What's really special about this show and where I feel blessed is that Studio Ghibli trusted us enough to let us curate this exhibition because that is something they usually don't do,” Niebel adds. The studio has organised their own exhibitions in Japan and other Asian countries, but they have never let a museum curate its own show.
Production lmageboard, Howl's Moving Castle (2004) © 2004 Studio Ghibli – NDDMT
And since it is the Academy Museums opening exhibition, the institution is putting in plenty of production value. “Thematically organized in seven sections, the exhibition is designed as a journey,” according to the press release. “To enter, visitors follow four-year-old Mei, a character from My Neighbor Totaro, into the Tree Tunnel gallery, a transitional space that leads into Miyazaki's enchanted worlds.” Similar transitional installations will lead visitors through galleries that explore character creation and world building, as well as themes common in Miyazaki's animated films such as transformations. At the center of the exhibition will the “Sky View” installation, that Niebel says was inspired by the opening scene of the movie Kiki's Delivery Service, in which the heroine lies in a field, watching the sky, before deciding to leave her family.
Layout, Kiki's Delivery Service (1989) © 1989 Eiko Kadono – Studio Ghibli – Read More – Source